SUFFERING IN WESTERN ART: THREE TRANSFORMATIONS

Authors

  • Yvonne Korshak Adelphi University.

Keywords:

CLASSICAL CULTURE, THE CHRISTIAN ERA, RECENT PERIODS

Abstract

The suffering resulting from transgression is represented in some important instances by Greek visual artists, and the young girl falling to her knees as she vainly tries to pluck an arrow from her back is an example (PI: 1). She is a daughter of Niobe, a woman fortunate in the number of her children, having six sons and six daughters.

References

Hart, op, cit., P: 300. Ii. Jnna B. Jaffe, John Trumbull Patriot-Artist of lit" American Revolution, 1975, pp. 72.

Hulius Held, “Prometheus Bound”, Philadaliphia Museum of Art Bulletin 59, Autumn 1963, pp.17-32.

Sophocles Oedipus the King, 1314-1318. Trans. R C Jebb.

Aeschylus Prometheus Bound, 145- 150. Trans. Paul Elmer More.

Gisela M.A. Ritcher, The Sculpture and Sculptors of the Greek, 1965, figs. 584-593.

Denis Grivot and George Zarnecki, Gislebertus, Sculptor of Autumn, 1961.

John R. Martin (ed:); Rubens: The Antwertp Altarpieces, 1969, Pls. I and II and passim.

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Published

2020-05-10

How to Cite

Yvonne Korshak. (2020). SUFFERING IN WESTERN ART: THREE TRANSFORMATIONS. Journal of Dharma, 2(3), 318–338. Retrieved from https://dvkjournals.in/index.php/jd/article/view/1889