The Influence of Narrative Structure on Indian Traditional Art

Authors

  • Jyoti Sahi dvk

Keywords:

Myth of Origins-The discovery of a Fifth Veda, Aboriginal Origins of Dramatic Art, Voice of the Common Folk, Humour of nature, Influence of Folk theatre on the Visual Arts of India

Abstract

A distinctive quality of Indian aesthetics is its wholistic approach to the arts, whereas, in the West there has been an increasing tendency to separate the arts into different "mediums'', so that the plastic or visual arts have been put in to one category, while the literary arts, including poetry have been shown to have their own distinctive medium of expression. Then in yet another group are the performing arts, and music has a place all of its own. But in India there has been a movement not so much to distinguish the arts as to find their common denominators. Thus it has been felt that dance drama is the mother of the arts, and that from this, music and poetic literature have derived their force, whereas in the other direction visual or plastic arts have been expressed in the still poetry of carved stone, or painted fresco, the inner joy (harsh a) which is to be derived from all the arts. The "common denominator" of artistic expression has thus been rhythm (rtu ) and playfulness which, it has been felt from the very basis of the whole of creation as we experience it in the cosmos.

References

"Sanskrit Drama" by Prof. G. T. Deshpande in Indian Drama (New Delhi: Publications Division of the Ministry of Information and Broadcas- ting, Government of India, 1956).

S. K. Ramachandra Rao, The Folk Origins of Indian Temples (Bangalore: IBH Prakashana, Gandhi Bazar), pp. 34-35.

Romila Thapar, Exile and Kingdom (Bangalore: Mythic Society, 1978,) pp.23-24.

G. T. Deshpande, "Sanskrit Drama" in Indian Drama (New Delhi, 1956), p. 16.

M. L. Varadpande, Traditions of Indian Theatre (New Delhi: Abhinava Publications, 1979), p. 9.

A. K. Coomaraswamy, "Yaksha Worship and Bhakti Cult" in Yakshas (Smithsonian Miscellaneous Collections, Washington, Vol. 80, No.6, 1928,) p.27.

M. L. Varadpande, op: cit. pp. 9-10.

Susanne Langer, Feeling and Form (New York: Charles Schribners & Sons, 1958), p. 335.

C. Sivaramamurti, Time in Indian Art (Bangalore: Mythic Society, 1981).

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Published

2020-05-07

How to Cite

Jyoti Sahi. (2020). The Influence of Narrative Structure on Indian Traditional Art. Journal of Dharma, 7(2), 130–146. Retrieved from https://dvkjournals.in/index.php/jd/article/view/1532