The Iconography of the Bhagavad Gita

Authors

  • Ursula King University Of Leeds

Keywords:

Visual theology of a Hindu scripture, Text and image in the Bhagavad Gita, Images of Krishna and Arjuna based on the Bhagavad Gita, Religious and secular meanings of the GWicarya motif

Abstract

It is well-known that the Bhagavad Gita has assumed a place of central importance in modern Hinduism, closely related to the ongoing debate of what constitutes the main message of this sacred text. Since the late nineteenth century a Bhagavad Gila commentary has become a de rigueur exercise for Hindu reformers and missionary writers, including the modern Indian gurus preaching in the West. The chan- ging role and reinterpretation of this scripture have been commented upon by many Indian and Western scholars and the cross-cultural influences at work in this reinterpretation have been extensively ana- lysed. But as far as I am aware,nobody has yet studied the iconography of the Bhagavad Gita, especially the existing illustrations of its two main characters, Krishna and Arjuna. 

References

Albert C. Moore, Iconography of Religions (London: 1977), p. 21 f. 2. See especially E. Panofsky's pioneering work Studies in Iconology (New York: 1939).

Introduction to vol. VII of the critical edition of the Mahabharata, (Poona: Bhandarkar Oriental Research Institute. 1947.

R. M. Minor, "The Bhaguvad Gita and modern Scholarship: An Appraisal of Introductory Conclusions", The Journal of Studies In the Bhagavad Gila 1(1981), pp. 29-60.

'The Art of the Book in India', pp. 1,2 & 4.

C. Sivaramamurti, Rishi s in Indian Art and Literature (New Delhi: 1981).

Emotional Krishna Bhakti (Oxford University: 1976).

Hinduism: Essence and Consequence. A Study of the Upanishads, the Gita and the Brahma-Sutras (Delhi: 1979);see especially pp. 190-210.

U. King, "Who is the ideal karmayogin? The meaning of a Hindu religious symbol", Religion 10(1980), pp. 41·59.

T. S. Maxwell, "Transformational Aspects of Hindu Myth and Iconology, Vishvarupa", AARP 4 (December 1973) and "The Deogarh Vishvarupa: A structural analysis", AARP 8 (Dec. 1975) .

P. Banerjee. The Life of Krishna in Indian Art (New Delhi: 1978), p. 48.

A. K. Priolkar, The Printing Press in India (Bombay: 1958).

V. G. Vitsaxis, Hindu Epics, Myths and Legends in Popular Illustrations (New Delhi: 1977), p. 57.

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Published

1982-06-03

How to Cite

Ursula King. (1982). The Iconography of the Bhagavad Gita. Journal of Dharma, 7(2), 146–164. Retrieved from https://dvkjournals.in/index.php/jd/article/view/1533