OPPRESSION, LITERATURE AND DIFFERING POINTS OF VIEW

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Authors

  • Mrinalini Sebastian Priya Kiren, Bangalore

Keywords:

Oppression, Literature, Differing

Abstract

Why is image so central to a man's self-definition 7 Because all images, and especially created images represent a certain way of focussing on the world outside and therefore they represent a certain point of vievy. Now if we hold a certain point of view, we have automatically emphasized some aspects of reality, blocked out others, and glossed over the rest, and the image which we project or which we perceive is not objective reality but our own - or someone else's - reshaping of reality.

Author Biography

Mrinalini Sebastian, Priya Kiren, Bangalore

Mrinalini Sebastian, Priya Kiren, Bangalore

References

Carolyn' F. Gerald, i'The Black Writer and His Roles." Blsck Aesthetics, ed. Addison Gayl., Jr. (Garden City, New York: Doubleday, 1971), p.371.

Harriet Beecher Stowe, Uncle Tom's Cabin, (Orig. 1852, New York: Bantam Books, lnc., 1981),p.8.

Shivaram Karanth, "Preface:' Chomana Dudi (1933: 8angalore: Rajalakshmi Prakashana, 1982), p. 3

Karanth, "Karanth: Interview," by U.R. Ananthamurthy, Sam,kshsma, ed, U.R. Ananthamurthy (Mysore : Ananya Prakashana, 1980), p.60.

Rllph Ellison. "Introduction." Sh6dowand Act (New York: Random House. Inc.• 1984). p. xxi.

Jerry Bryant, "Wright, Ellison, Baldwin: Exorcising the Demon," Phylon (June 1976). p. 180; Excerpt published by U.S. International CommunicationAgency, American Centre, New Delhi.

U.R. Ananthamurthy, "Devanoora Mahadevara Ods/II/a," Rujuvllthu, 12 (Oct.- Dec. 1983), p,110.

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Published

1991-03-30

How to Cite

Sebastian, M. . (1991). OPPRESSION, LITERATURE AND DIFFERING POINTS OF VIEW: . Journal of Dharma, 16(1), 5–19. Retrieved from https://dvkjournals.in/index.php/jd/article/view/1239